Lillian Boxfish takes a Walk. Before I get onto my review, the way I came upon this novel is also worth a mention. It was recommended by my long-lost pen pal from the US, who used the wonders of technology to seek me out and renew our correspondence after a gap of decades. One of the nicest surprises of the last year or so for me! Anyway, that's a whole other story.
The fictional Lillian Boxfish describes her career thus:
I wanted there to be something to do in life besides mate and reproduce and die, and advertising was that, or it was for a long while.
And here's what I thought of the story:
'Before Mad Men (and Woman), there was Lillian Boxfish, or in real life, Margaret Fishback, the 'world's highest-paid female advertising copywriter' in the 1930s. This book is somewhere between fact and fiction, taking the poetry and advertisements written by Margaret Fishback, plus some of the details of her career and private life, and weaving a fictional character, the sparky and spunky Lillian Boxfish, around them.
Being a fan of walking around cities and having worked in the advertising industry, I was charmed by the premise of this book, in which the elderly but sprightly Lillian takes a walk (in her mink coat) around New York on New Year's Eve, 1984, conversing with the various characters she meets while reflecting on her colourful life. She's a wonderful character, witty and acerbic, and it made a change to have to look up quite a few words in the dictionary while reading. Lillian remarks on how her long-copy ads, often in the form of verse, respected the intelligence of the reader, and I did wonder what she would have made of some of the dumbed-down advertising of today.
The book captures the sights, smells and sounds of Manhattan from the Jazz Age right through to the 1980s beautifully - the fire escapes, warehouses, smell of burnt toast, Italian restaurants - as well as the characters: not just the ad men and women, but taxi drivers, barmen, street gangs and shopkeepers.
*Slight spoiler alert* I was slightly disappointed with the last part of the story, which started to feel a little phoney and stretched credibility somewhat. For those who have read the book, I'm referring to what felt like a sequence out of 'Crocodile Dundee' which grated a little.
Despite that, I thoroughly enjoyed Lillian's reflections and observations on life, and the insight into advertising, writing and life.'
Orthodoxy is toxic
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